For Prada Mode Paris, I spearheaded production of a 2-day "social club" featuring a commissioned installation by Trevor Paglen and Kate Crawford at the legendary Maxim's, a Belle Époque restaurant dating to 1893. The installation, "Making Faces," mapped AI surveillance history onto Maxim's art nouveau interior, exploring the evolution of AI training images and modern surveillance systems. I managed all curatorial aspects, from speaker selection and talk organization to musical programming, ensuring precise execution of the artists' vision.